Unless otherwise stated all pictures on Berlioz Photos pages have been scanned from engravings, paintings, postcards and other publications in our own collection. All rights of reproduction reserved.
music Berlioz admired and drew inspiration from
Ludwig van Beethoven (1770-1827)
Berlioz discovered Beethoven’s
music in the late 1820s; he subsequently became one of Berlioz’s musical
The original copy of this portrait by Joseph Stieler, dated 1819, is in the Beethoven House in Bonn.
Statue of Beethoven in Bonn –
published in the Illustration on 9 August
Beethoven’s statue was inaugurated in August 1845. Berlioz attended the inauguration celebrations held on 10-12 August and wrote a report on it, which was later incorporated in the 2nd Epilogue of the Soirées de l’orchestre (1852). The above picture appeared in L’Illustration of 9 August 1845.
See also Joseph
Hayden and Ludwig van Beethoven
Christoph Willibald Gluck (1714-1787)
another of Berlioz’s “demi-gods”, for whose music he had unwavering admiration
throughout his adult life. The first time that Berlioz saw an opera by Gluck
was when he attended a performance of Iphigénie en Tauride at the Paris
Opéra in 1821.
The original copy of the lithograph by Maurin is in the library of the Paris Opera.
Felix Bartholdy Mendelssohn (1809-1847)
Berlioz first met Mendelssohn in Italy
in 1831. The two men met again when Berlioz went to Germany on one of his
concert tours many years later.
The above portrait was painted by Eduard Magnus in 1845. The original copy is in the Mendelssohn-Archiv, Berlin.
Wolfgang Amadeus Mozart (1756-1791)
Berlioz “adored” Mozart’s music, especially the later works, some
of which he included in his concerts in London
and elsewhere in Europe. According to David Cairns Mozart’s opera Idomeneo
may be seen as an influence on Berlioz, not only because of its Gluckian
affinities, but in its almost 19th-century use of colour.
The above lithograph is by Ed. Lehmann after a painting by Lange.
Gaspare Spontini (1774-1851)
Berlioz had first heard and seen two operas of Spontini,
La Vestale and Fernand Cortez, at the Paris Opéra in 1822.
After a series of letters exchanged between the young composer and the older
master in 1830, initiated by Berlioz, the two men met, and their friendship
lasted until Spontini’s death in 1851.
The portrait shows the young Spontini and is from a postcard in our collection.
Carl Maria von Weber (1786-1826)
Berlioz first made acquaintance with the music of Weber,
another of his “demi-gods”, in December 1824 when he heard Der Freischütz at the Odéon
Theatre; he was a most ardent champion of Weber in France.
The original copy of this painting by Beckhauer is in a private collection.
© (unless otherwise stated) Monir Tayeb and Michel Austin for all
the texts and images on Berlioz Photo Album pages.
All rights of reproduction reserved.
Photo Album main page