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This section presents the complete text in the original French of Berlioz’s Les Soirées de l’Orchestre (1852, 2nd edition 1854), Les Grotesques de la Musique (1859), À Travers Chants (1862) and the Memoirs (1870). It is equipped with an independent search function which covers the four works and is distinct from that for the site as a whole.
Les Soirées de l’Orchestre
The text reproduced here is substantially that of the second edition of 1854, except that three passages found in the first edition (1852) but omitted in the second have been reinstated here: a paragraph on Spontini in the thirteenth evening, the review of Pigeon vole in the eighteenth, and a sentence on Costa in the second epilogue.
Les Grotesques de la Musique
The text reproduced here is that of the first edition of 1859. Unlike Berlioz’s other literary works Les Grotesques was not divided by the author into separate sections; here the work has been set out in eight consecutive parts prefaced by the Prologue.
A Travers Chants
The text reproduced here is that of the first edition of 1862.
The text reproduced here is that of the first edition of 1870.
Note: while obvious typographical or other errors of the original editions have been corrected, the spelling of Berlioz’s own time has been retained (for example poëte for poète, contre-basse for contrebasse, entr’acte for entracte, rhythme for rythme etc.). The reference in a few footnotes to the editor [note de l’éditeur] refers to Michel Austin.
See also on this site the excerpts from Berlioz’s Treatise on Instrumentation and Orchestration.
For publication details of all the above texts see Berlioz: Musical and Literary Works.
The Hector Berlioz Website was created by Monir Tayeb and Michel Austin on 18 July 1997
À Travers Chants page created on 1 May 2005
Les Soirées de l’Orchestre page created on 1 July 2005
Les Grotesques de la Musique page created on 1 October 2005
Mémoires page created on 1 December 2005
Search function created on 16 June 2007.
All rights of reproduction are reserved.
© Michel Austin and Monir Tayeb
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